The series promises to feature Bree Jarta, an African American woman, Alan Scott, a gay man, Simon Baz, a Middle Eastern man, and Jessica Cruz is a Latinx woman. The Green Lantern series is shaping up be one of the more inclusive comic-book TV adaptations around. It will be intriguing to see those two characters brought to life and how serious issues will ultimately be explored in Green Lantern on HBO Max. I am really looking forward to both of these aspects being explored in the new Green Lantern series, as we don’t usually see these kinds of issues explored in comic book properties on TV. RELATED: GREEN LANTERN SERIES ON HBO MAX WILL REPORTEDLY FEATURE DOMINATORS, HAVE A TV-MA RATING, AND MORE EXCITING NEWS The characters face personal struggles, with Jessica Cruz’s mental health and the everyday racism that Simon Baz, and those of Middle Eastern decent, have had to deal with since at least the 9/11 attacks in America. We can see Green Lantern’s timeline filling out with Simon Baz seemingly taking place in the 2000s after 9/11, according to the description, and Jessica Cruz presumably taking place in either the 10s or even present day.Īll speculation aside, both Lanterns seem to be giving us a look at some timely societal issues. Will The New HBO Max Series Feature the Green Lantern Corps Throughout History? In the wake of 9/11, America has grown distrustful of young Middle Eastern men. However, business hasn’t been good lately. Using his innate charm and gift of gab, he works in Detroit as a vendor. Simon Baz: For as long as he can remember, Simon’s loved the Green Lanterns. She’s been fighting fear longer than any of our other Lanterns. Jessica lives with a sometimes- crippling anxiety disorder. Looking at her you’d never know the struggle going on inside. She worked her way through school, while taking care of her younger sister. Life forced Jessica to become self-reliant at a young age. It’s even tougher when you’re the type of person who’s uncomfortable leaving the apartment. In 2021, Simon found a Green Lantern Ring and travelled to Oa where he met Hal Jordan and Jessica Cruz. At some point, Simon managed to graduate high school. Simon Baz is a Lebanese American who was born in Dearborn, Michigan. He is the partner of Jessica Cruz to protect sector 2814. Jessica Cruz: Protecting the galaxy is hard enough. Simon Baz is a member of the intergalactic Green Lantern Corps. The characters of Simon Baz and Jessica Cruz featured in the HBO Max Green Lantern series are described as follows: Simon Baz and Jessica Cruz will join Guy Gardner, Bree Jarta, and Alan Scott in the Green Lantern series, further hinting that the series will have a heavy focus on the Green Lanterns throughout history. The Green Lantern production is aiming to kick into gear in the summer of 2021 in Los Angeles. RELATED: GREEN LANTERN TV SERIES: NEW CHARACTER DESCRIPTIONS, STORY DIRECTION, AND START DATE: EXCLUSIVE Last month we reported that Guy Gardner, Bree Jarta, and Alan Scott will star in the upcoming series and now we have even more details on some of the other Lanterns that will be featured in the series. Well get ready because we have a follow-up to share today regarding the exciting DC Comics adaptation in the works. So what are you waiting for?!, Click here to browse more.Previously The Illuminerdi reported on some exclusive info regarding some character information regarding the Green Lantern series coming to HBO Max. Not only this but also, This person age is: 37 years oldĪfter a quick search on the internet we found some public data about the email: found about this person relatives and found some about them: Ashley Marie Childs Who lives in Austin Which is located in TX In the united states of America. Emily Anne Black public information found on the internet
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I saw the nickname “Mamoney” once and I love it for him. But I think overall he means well, and really cares for (loves) the MC. His sweet side is incredibly cute, but I could only ever see him as a friend, or maybe a FWB, but never as anything serious. But someone like him would get on my nerves IRL after a while, and I don’t think I’d be able to put up with it. □ He’s cute, in a puppy-dog tsundere way, and I think he’d be an awesome friend. I’m not big on the “Luci” nickname either, but I’m not sure what I’d call him. I do like reading head cannons and NSFW fics of him though. He’s definitely my #2, but I just don’t think I could choose him over my #1 if it ever came down to it. I’d be too afraid of messing up all the time. The moments where he’s soft and sweet make me swoon, but I couldn’t see myself dating someone like him IRL. His Dad personality does make me laugh though when it comes out. A little too arrogant (though I guess that’s the point of his avatar). But he can be … a little too uptight for my liking. Tbh, at first I thought he was going to be my #1. These are just my current takes on the characters, it may change in the future! (Pictures are some of my favorite cards, collected or not, all artwork belongs to NTT Solmare of course) I’ve also done a lot of the LD side lessons. I am currently Level 83 on Lesson 31 of the main story, but because I like spoilers I pretty much have a good idea of what happens up to Lesson 60. (as a beginner player)īackstory: I discovered Obey Me through a friend who plays and posts about it, and discovered it was made by the same company as my previous otome game, Love Tangle, so I gave it a shot and got pretty (ok, extremely) hooked. Just my thoughts about the Obey Me characters. And we all know what it’s like to hope against hope to somehow, in some way, return to that better place. We all know what it feels like to feel like the world is not fair. We all know what it’s like to feel injustice. A need that we can all connect to, whether we have ever been trapped in a desert wasteland, chased by Cirque du Soleil performers or not. And underneath that need is a need for justice. That green place in the desert – that personal symbol of hope. She is driven by a primal need to find that green place that was taken away from her when she was a child. And desperate need to build that better place, not only for herself, but for the five concubines/wives of the evil, tyrannical, cultish dictator by whom she was taken captive. A desperate need to believe in a better place. At the center of Furiosa’s drive or struggle in this movie is a desperate need to hope. She is the character who drives the story. Interestingly, Furiosa really is the main character in Mad Max. And that structure begins with the primal needs driving its main characters. The reason that Mad Max: Fury Road works is not because of it’s plot. They force your character to change their relationship to the world in relation to them. Obstacles, in fact, that are so big that they force your characters to change who they are in relation to them. It’s about choices that your characters pursue against tremendous obstacles – obstacles that seem too big to be navigated. It’s about choices driven by the primal needs of your characters. Plot is just the things that happen to happen to your character. Who really cares if you’re in a desert or driving through the mountains or navigating a salt flat or a bog? Structure is not about plot. We start to think that our movies are about the things that happen, but the truth is that plot is interchangeable. Oftentimes, as writers, we get obsessed with plot. And this simple trick of structure is a trick that you can use, regardless of what kind of movie you’re building. Every path has a road block or an obstacle worse than the one that they imagined before. The only thing that really happens in this movie is that Mad Max and Furiosa head in one direction and then head back home.Īlong the way, as they are trying to get to their own personal Valhalla – that green place that they dream of that place in the desert that they’re navigating toward – they are attacked by the most horrific figments of director George Miller’s imagination. The actual plot of Mad Max: Fury Road is ridiculously simple: they drive out into the desert in search of the green place and then they drive back in the other direction. So, the first thing that you should notice when you’re watching Mad Max: Fury Road is that it ain’t about the plot. Forget whether ultra-violent movies make you happy or they make you want to run for the hills because I want to talk about Mad Max: Fury Road in terms of the things that we can all learn from it, as screenwriters, regardless of the genre that we are writing in and regardless of the challenges that we’re having in our writing. Now, forget for a minute whether you love action movies or you hate action movies. This week, we’re going to be looking at one of the most critically acclaimed action movies in recent history: Mad Max: Fury Road. We look at good movies and we look at bad movies and everything in between. As you know, in this podcast, rather than looking at movies in terms of two thumbs, up two thumbs down, loved it, hated it, we try to look at movies in terms of what we can learn from them, as screenwriters. Hello! I’m Jacob Krueger and welcome to the Write Your Screenplay podcast. Selling a TV Series: The Role of the Show Bible.Winning Time: How To Adapt a True-Life Story.Top Gun: Maverick – All Writing Is Political.How to Transition from Playwriting to Screenwriting.The Bear: The First Image and the Opening Sequence.The Inner Game of Screenwriting with Christian Lybrook.Novel, Memoir & NonFiction Writing Classes. The fourth campaign, «Battles of the Conquerors», is actually a group of unrelated single scenarios, each based on a significant historical battle. These are based on Attila the Hun's rise to power, Montezuma's defense against Hernán Cortés, and the adventures of El Cid. The Conquerors adds four additional single player campaigns. Chat commands are introduced, in order to communicate more effectively with allied computer players. Additionally, a button was added to the mill, which would allow farms to be paid for in advance, so that when an existing one was exhausted, it would automatically be replanted. Mangonels and onagers will not automatically fire if their attack is likely to harm friendly units. Wall construction has also been improved: when assigning two or more villagers, they evenly spread out instead of working on the same patch, and when multiple farmers are sent on one farm, the surplus will start cultivating adjacent farms instead of idling. Villagers will now automatically commence gathering resources if they build resource gathering sites. Micromanagement is made easier, by an improved scripted Artificial Intelligence of villagers and siege weapons. Age of Empires II The Conquerors Free Download. In addition to new units, the in-game upgrade lines have been extended to provide more unit choices. The graphics are left unchanged, but new civilizations have been added such as the Spanish, Huns, Koreans, Mayans and Aztecs. In-game, infantry are able to garrison in battering rams, protecting the infantry while increasing the ram's speed and attack, while ships are able to form formations for more effective fighting. Additional maps, some based on real life geographic locations, and new winter and tropical terrain textures were included. The Conquerors also introduced various new gameplay features and tweaks, including the new game modes Defend the Wonder, King of the Hill and Wonder Race. It features five new civilizations (the Aztecs, Mayans, Spanish, Koreans, and Huns), four new campaigns, eleven new units, twenty-six new technologies, new gameplay modes, new maps and different minor tweaks to the gameplay.Ī second expansion, the semi-official The Forgotten, was released exclusively on Steam in Fall 2013, over a decade since the release of The Conquerors. The Conquerors is the fourth installment in the Age of Empires series by Microsoft Game Studios and Ensemble Studios. Age of Empires II The Conquerors Full PC Game OverviewĪge of Empires II The Conquerors Download Free Full Game (sometimes abbreviated to AoC or AoK: TC) is the first expansion pack to the 1999 real-time strategy game Age of Empires II: The Age of Kings. New 64-bit support on Microsoft Windows.Multi-image support (Lightroom and Aperture only).Improved timesaving user interface, including improved slider controls, slider favorites, multiple zoom states, keyboard nudging, grouped Color Control Points, and multiple undo levels.Improved color rendering and increased precision of selections.New shadow recovery-global or selective.New and powerful levels and curves adjustments.Powerful Color Control Points, enabling precise selective control of color and light. U Point technology, users can quickly select areas of an image to adjust by pointing and clicking and then using simple to use sliders to adjust brightness, contrast, saturation, structure, red, green, blue, hue, and warmth in a fraction of the time needed by other tools. Viveza 2, powered by Nik Software’s patented U Point technology, is the most powerful and precise tool available to globally and selectively control light and color in photographs. Viveza 2 eliminates the need to create complicated selections or layer masks and provides a powerful solution for users looking to save time and effort when editing images. Available in December, Viveza 2 now offers users robust global adjustments and precise selective controls that utilize Nik Software’s award-winning U Point technology. Nik Software announced Viveza 2, an upgraded plug-in for selective color and light control. To be honest, I think that audio quality when recording guitars is a moot point anyway, as the source is fairly lo-fi! One small point against the Jam is that you can't use your guitar at the same time as outputting video from the iPad - the Jam does not function when connected to the dock-connector breakout socket on the Apple AV adaptor - so you'll need to use something like the iRig or AmpKit Link if you require simultaneous video mirroring.Ĭounterbalancing this criticism is the fact that you can use the Jam with all Macs, while hardware solutions that use the TRRS jack connector can only be used with Macs that have TRRS headphone sockets: those that support the Apple iPhone Headset and Microphone.Īlthough the Jam appears pricey compared to the competition, it is a well-executed design performing the intended task flawlessly. The iRig makes an audible fizzing noise, while the Jam, although not silent, has a much less intrusive low-level hiss. Where the Jam does score over the iRig specifically is signal-to-noise ratio. When it's used with a Mac, however, 24-bit recordings are captured. This can be proven by exporting GarageBand for iPad projects recorded with the Jam, via iTunes: the audio files will be 16-bit. It's nice that the Jam has 24-bit converters, but note that GarageBand will reduce the word length to 16-bit. The Jam worked flawlessly with all the apps I tried that support the iOS Core Audio protocol, adding no noticeable latency when I used a Guitar Amp track in GarageBand, for example. There is also an 'Auto Soft Limit' built in, to help you by taming any accidental peaks in level. The Jam allows you to retain the full tone of your axe without overloading the input, which is great. Guitarists will appreciate that turning down the guitar itself in order to adjust the input signal will change the tone of the sound. Usefully, the green LED also gets brighter when a higher signal level is present.īeing able to alter the input gain with a rotary control is a major difference between the Jam and competitors. The LED is useful in that it has three colours: blue means that the Jam is connected but not active, green means connected and active, and red means that the signal level has overloaded the input. It's good that the jack socket itself has a solid feel that compares favourably with competitors. On the other hand, if you forget the cable for your Jam at a gig, you're stuck. In the favour of the Jam is the fact that the cables are detachable, so if one of them breaks, you won't need to replace the unit, unlike the competing iRig or Peavey AmpKit Link. On the inside, the analogue to digital conversion circuitry operates at 44.1kHz, 24-bit.Īs far as connection is concerned, there are some pros and cons to consider. There's also a three-state LED indicator, a quarter-inch jack socket and a USB output socket. The unit itself is very light, with a plastic body, and has a small plastic thumb-wheel on the side to control input gain. Each of the cables locks securely into its respective socket, too, keeping it secure when you're playing. Although the cables are relatively short, they do free the Jam from needing to connect directly to the iPad, something that would put unnecessary strain on the socket and the Jam itself. The small interface is supplied with two cables: one for connection to the iPad (or other iOS device), and the other for connection to a Mac. The Apogee Jam has a jack input for guitar and a single USB port that sends digital audio to the host device. The Jam requires iOS 4.3 or later and a Core Audio-compatible app, or Mac OS 10.6.4 or later if it's being used with OS X. A further important distinction between the Jam and its competitors is that it has no audio output, so you'll need to connect headphones or speakers to the jack socket of the host device. Unlike most such devices, which utilise the bi-directionality of the headphone socket for input and output, and rely on the A-D converters in the host device, the Jam uses the dock port to connect and has its own on-board A-D converters. Apogee's Jam is an audio interface designed to connect a guitar to an iPad, iPhone or Mac. India.Arie invited Gramps to be the featured vocalist on her breezy 2009 single “Therapy.” The song hit No. It landed him on “Good Morning America” and on tour with India.Arie and John Legend. Gramps’s first solo effort, 2 Sides of My Heart, Volume 1, came out that same year. But Dad said it was time for each of us to stand on our own, get in the studio and do solo work, so when we got back together, we would be stronger.” “We toured the world with all kinds of artists-from Lenny Kravitz to Jewel. “Our group was at the top of the food chain among reggae bands,” he said. In 2009, after fifteen years of touring and recording with Morgan Heritage, the band decided to pursue solo careers. Their debut album, Miracles, featured Gramps on vocals and keyboards. Morgan Heritage debuted at Jamaica’s Reggae Sunsplash Festival in 1994 and signed a recording contract with MCA Records that same year. Denroy organized several of his children into a reggae band with Gramps joining the appropriately titled Morgan Heritage. As a solo artist, Denroy scored a dance hit in 1981 with “I’d Do Anything for You” (Beckett), and was the first reggae artist signed to RCA. His father, Denroy Morgan, a Jamaican immigrant, helped form the Black Eagles, New York’s first reggae group. Roy “Gramps” Morgan entered one of reggae’s royal families when was born on July 7, 1976. Reid added: “We want this album to celebrate the goodness that is possible when two people from different cultures stand together.” “Johnny and I came together in solidarity to create a soundtrack of positive vibes for all the good people out there,” Gramps said. More importantly, Gramps and Reid want to show how two men from different musical and cultural backgrounds can stand united in brotherhood at a time when the world is again coming face-to-face with the harsh realities of racial injustice. I developed a great appreciation for country music and always wanted to create music that celebrated both reggae and country.” “I grew up listening to soul and reggae music,” Gramps explained, “but when we would make Sunday dinner-we called it ‘rice and peas day’-all we listened to was old reggae and country songs. Produced by Reid, and mixed by Grammy nominee Justin Cortelyou, Gramps’ new release represents his first solo outing in eight years. Nevertheless, their discovery of a shared love for songwriting and willingness to take risks has blossomed into a friendship and created one of the most innovative music projects of 2020-A country inspired, reggae infused audio cocktail full of good vibrations. When GRAMMY® Award-winning reggae artist Roy “Gramps” Morgan and Scottish-born multi-platinum recording artist /producer Johnny Reid met accidentally at a Nashville sporting event, neither envisioned where their partnership might lead. Misto font is a free reverse-contrast display typeface designed by Katerina Korolevtseva. On downloading, you get both TTF and OTF font files.ĭownload Misto Font – Free (Cyrillic and Latin) Created by Black Font Labs, this unique font has a stylish but formal futuristic look. Designed by Senzana, the font is provided for free download in OTF format.Īlégra is a free modern and minimalistic Sans Serif font with flowing curves. 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